Movie-Fest Schedule & Trailers



Movie-Fest 10: 10 Films, 10 Decades

Schedule
9am
9:30am
9:40am
11am
12:35pm
1pm
1:30pm
3pm
4:30pm
5:45pm
6:30pm
9:30pm
11:10pm
Films (click the links for more info + trailer)
The Goat - dir. Buster Keaton - Starring: Buster Keaton
Minnie The Moocher - dir. Dave Fleischer - Starring: Betty Boop
I Married A Witch - dir. René Clair  - Starring: Veronica Lake
La Ronde - dir. Max Ophuls - Starring: Anton Walbrook
Lunch
La Jetée - dir. Chris Marker - Starring: Hélène Chatelain
Fantastic Planet - dir. René Laloux - Starring: Blue Aliens
Forbidden Zone - dir. Richard Elfman - Starring: Susan Tyrrell
Following - dir. Christopher Nolan - Starring: Jeremy Theobald
Dinner
The Matrix Re-Edited - Re-edited by Daniel McClelland
Toy Story 3 - dir. Lee Unkrich - Starring: Tom Hanks
The End
Starting in:

And for your viewing pleasure, here is a collection of trailers and clips for everything that's showing in Movie-Fest. Alternatively, go to this YouTube page here to watch them from end-to-end.

Movie-Fest's Competition #2


Movie-Fest 10's second competition is a fun one. It's based around Rotten Tomatoes and will require analysis of the links below. The first person (who's not already won the previous competition!) to answer all of the questions below correctly will win a $20 iTunes voucher. This will be presentable upon attendance at Movie-Fest 10, so please only enter if you plan on coming! Submit your entries via email to 'daniel underscore mcclelland at hotmail dot com'.

The Links:
The Questions:
  1. Which film is the only "Rotten" film of Movie-Fest?
  2. How many films are ranked over 85% on RT?
  3. What trend do you notice in the scores of the films from the 50s onwards to the 2000s?
  4. Which film has had the most reviews counted?
  5. Which film has the fewest reviews?
  6. Qualitative Question! In your opinion - which film has the largest discrepancy between 'fresh' reviews and 'rotten' ones?
  7. According to Rotten Tomatoes' suggestion side-bar (right-hand side)... which film is "like La Jetée"?
  8. What quote is suggested to be memorable from Forbidden Zone?

Competition for Movie-Fest 10


The above collage shows the poster of every film that will screen during Movie-Fest 10: 10 Films From 10 Decades. The first person to answer all of the questions below correctly will win a $30 JB Hi-Fi voucher. This will be presentable upon attendance at Movie-Fest 10, so please only enter if you plan on coming! Submit your entries via email to 'daniel underscore mcclelland at hotmail dot com'. And, yes, most of the answers can be found using either Google or some sleuth-work on this here website!
  1. What's the shortest film at Movie-Fest 10?
  2. What's the longest film?
  3. How many films in Movie-Fest 10 are fully animated?
  4. How many are black and white (yes, this is a trick question)?
  5. The director of one of the above films also released the second-most popular film of this year. What's his / her name, and what's their 2012 film called?
  6. Which of the above films influenced the plots of 12 Monkeys and The Terminator?
  7. How many of Movie-Fest's films are in French?
  8. Which of the films is famous for being the "Citizen Kane of underground movies"?
  9. Who features in the soundtrack for Minnie The Moocher?
  10. Three of the above films were created by three pairs of brothers... which were they?

2010s - The End - Toy Story 3


9:30pm - 2010s - Toy Story 3 - dir. Lee Unkrich - Starring the voices of: Tom Hanks, Tim Allen, Joan Allen 

As the poster above says, "the best reviewed film of 2010", indeed "the most successful animated film in history". Toy Story 3 was nominated for 5 Academy Awards (including Best Picture) and won 2. It is widely regarded as the best 'threequel' of all time. It's the 48th best film of all time according to IMDb's Top 200 list, and - aside from films by Christopher Nolan - it's the highest ranked film from this decade on that list too. So... why the hell have so few of my friends seen the damn thing yet?


Putting aside the accolades, the preconceptions and the hype... this is a film about 'the end'. Every shot, every scene and every plot point is about the acceptance that all things will, eventually, come to an end. Toys that were once popular will be shelved in attics. Kids grow up to be adults. Things change, and rarely does it seem like change comes easily. It's a weighty topic to base a film around, and it's probably why there will be tears. Grown men have cried at this film, and proudly admitted it. Toy Story 3 is a brave movie the likes of which we should be glad that Disney and Pixar are still making.

2000s - Sequels - The Matrix Re-Edited


6:15pm - 2000s - The Matrix Re-Edited - dir. The Wachowski's - Starring: Keanu Reeves, Carrie-Anne Moss, Laurence Fishburne... Edited by Daniel McClelland

Daniel McClelland has re-edited the Matrix sequels down from two films, into one film. He's re-edited their collective length from 4.5 hours down to... 3 hours. He's chopped out fights, entire characters, sub-plots, individual bullets, endless psycho-babble, and - most importantly - the cave-rave dance sequence. Movie-Fest 10 will unveil this work and, hopefully, you won't notice the edits. However, you will notice the overall effect of them on a series that was once regarded as bloated and overly complex. The Matrix Re-Edited will astound you with its scope, and its brevity.


Let's start with a history lesson: Warner Brothers' marketing machine declared 2003 "The Year of The Matrix." They gamely released two sequels (The Matrix Reloaded and The Matrix Revolutions) within six months of each other, and in the process made off with well over a billion dollars in cash worldwide. Public opinion on Reloaded was divided. Respected publications like Variety, The Washington Post and Empire Magazine gave glowing reviews, while others were quick to admonish its creators for spending on time with characters we didn't care about, talking in endless riddles and pseudo-scientific babble. Revolutions, on first watch at least, has less going on subtextually, and was regarded by most as a "so-so" effort at tying up the many loose ends introduced by its predecessors.


Over the years, public opinion went from 'mixed' to 'violently opposed to' and then back to an even shadier territory: 'forgotten'. So, why bring them back? Firstly, because sequels became a genre unto themselves in that decade, and the approach to them deserves to be examined as closely as a silent-comedy from the 1920s. Secondly, because The Wachowski's, unlike others from the era, embedded more thought and more complexity into their sequels. Thirdly, because the main reason people don't like the sequels is because of their perceived lack of clarity. The Matrix was marketed on the concept of a question: "What is the Matrix?" Its sequels were marketed on the idea that we were getting more of it, whatever it was. 


The Matrix Re-Edited hopes to bring you a definitive answer to the questions that should have been guiding the team making the sequels: what will Morpheus do now he's found The One and finished playing the John The Baptist role? What will Trinity do now that The One has developed a love for her that is more important than his job as humanity's saviour? How will Neo ever free the minds of the millions of people connected to The Matrix, and thus end its dictatorship over our lives? Here's a trailer that outlines the stakes:


1990s - The Director Rises - Following


4:30pm - 1990s - Following - dir. Christopher Nolan - Starring: Jeremy Theobald, Alex Haw, Lucy Russell

Christopher Nolan (and his screen-writing brother Jonathan, who helped out on this film) burst onto the world stage with the intricately plotted and staged Memento. A year or so earlier, a small film was released called Following. It, like many other films from the '90s, heralded the arrival of a bold new director, one who would create a brain-trust of friends and go on to revolutionise every genre they touched afterwards. You may know him better as the re-inventor of Batman, or as the creator of Inception, or as the director who coaxed David Bowie into one last big budget film role before retirement.


So, what's this early effort of his about then? It might be best if we leave it at this description: a blonde, a burglar, a blackmailer and a young aspiring writer... all interwoven in one of Nolan's customarily fiendishly complex narratives. Check out the trailer below for an idea on the film's tone:

1980s - Cult Film - Forbidden Zone

3pm - 1980s - Forbiden Zone - dir. Richard Elfman - Starring: Hervé Villechaize, Susan Tyrrell, Gisele Lindley

Forbidden Zone has never been released in New Zealand. There's a reason for this: it's terrible. Terribly brilliant. There are no words for a film that features - to quote the press release - "a bizarro world of frog butlers, topless princesses, machine-gun toting teachers, eccentric dwarves, their demonic wives, and the Devil himself."


Honestly, you've never seen anything like it. This was as much a reaction to '80s "cult films" as it is a group of brilliantly twisted individuals having fun being young and dumb, while on camera. This is low-budget indie film-making at its most ambitious. Animation is used as a substitute for photo-real effects, elaborate sets are made out of crumpled paper, and bad acting is replaced by good acting with cinema's worst, and best, copy and paste jobs ever. The music's by underground band Oingo Boingo, and the director's brother: Danny Elfman, who went on to score at least a dozen Tim Burton films, the Spider-Man movies and The Simpsons theme! To make the madness even better, we'll be watching the colourised version, which means that the black-and-white film has been hand-painted to have gloriously demented hues like the reds in the image above! If you have to see a so-bad-it's-good film this year... make sure its Forbidden Zone:

1970s - Sci-Fi Parable - La Planète Sauvage

1:30pm - 1970s - La Planète Sauvage (AKA Fantastic Planet) - dir. René Laloux

On The Fantastic Planet, there are giant blue beings, who live in a harmonious and intellectual society. They seem in tune with nature, each other, spirituality and... they keep humans as pets. One of these god-like beings takes a shining to their new human pet, and that pet begins to learn things it shouldn't. This knowledge threatens to disrupt the Fantastic Planet and the blue beings' wider society.


Animated, surreal, French, esoteric and no doubt influenced by LSD, La Planète Sauvage is a film unlike many others. It has nudity, violence, budding romance, sci-fi, parable-like elements and a treasure trove of ideas ready for you to discover. It won several high-profile awards in the early 1970s, including a special mention at Cannes. There's never really been a film like it, and it perfectly sums up the challenging and auteur-driven cinema of the decade. Here's a trailer:

1960s - Time-Travel - La Jetée


1pm - 1960s - La Jetée (AKA The Pier) - dir. Chris Marker - Starring: Hélène Chatelain, Davos Hanich, Jacques Ledoux

28 minutes in length, La Jetée is crazy short, considering it's amazing subject matter. You're never quite sure what it is you're watching, and that's the case literally until the last minute. At first, you'd think you're watching a travel documentary, and then you realise you're really watching a high-concept time-travel tale. The less said about this story, the better.


I will say though, that the way La Jetée was made makes it particularly special in this Movie-Fest. It's made from a group of still photos. Considering how much the camera moves in many of the other films in Movie-Fest 10, La Jetée will feel like a breath of fresh air. One thing to note: we'll be screening the English dub of this film, rather than show it in its native tongue. The film's crazy enough that we shouldn't force people to read subtitles too! Here's a recently made advertisement for a screening of the film:

1950s - Post-modern Romance - La Ronde

11am - 1950s - La Ronde (AKA The Round Dance) - dir. Max Ophuls - Starring: Anton Walbrook, Simone Signoret, Serge Reggiani

La Ronde is narrated by an all-knowing man, who seemingly exists in all time, and also out of time's boundaries. He facilitates and observes fleeting moments of love. In some ways, this is the - more focused - 1950s version of Love Actually; you are shown endless variations with which we mortals experience lust, romance, sex, age, class and race... this is a guided tour of love itself.


La Ronde is a good deal more risqué than you'd expect from a film made around 60 years ago, and that's what helps makes it so darned watchable now. It's not just the casual roundabout of relationships that makes La Ronde work though, it's also the camera-work. The camera performs complex maneuvers up and down and around very lived-in sets; giving the audience a feeling they're as much of a voyeuristic specter as the narrator himself. It's a work of art that was many years ahead of its time. Here's a song from the film:


1940s - Romantic Comedy - I Married A Witch

9:40am - 1940s - I Married A Witch - dir. René Clair - Starring: Veronica Lake, Fredric Marsh, Robert Benchley

Many centuries ago... a pair of witches are hung from a tree... before they die, they lay a curse upon a local family... none of its men shall ever marry happily... Several hundred years later, the witches are accidentally allowed to roam the earth again... just as a man from the cursed family-tree is about to marry his fiancée. Screwball comedy ensues!


I Married A Witch was produced by an un-credited Preston Sturges - widely regarded as the king of this particular genre of rom-com - who had a falling out with all involved during the film's tortuous production. The chaos involved, mixed with the particular talents of its star, Veronica Lake, and a gifted French director, makes for a decidely modern feeling comedy. Indeed, the likes of Bewitched and Hocus Pocus have 'borrowed' parts of its plot quite liberally over the years. It's a cracking film that will leave you, erm, enchanted. Here's a trailer with bad audio and a hilariously 'educational' narrator:


1930s - Animation - Minnie The Moocher

9:30am - 1930s - Minnie the Moocher - dir. Dave Fleischer - Starring: Betty Boop (AKA the voice of Mae Questel), Cab Calloway

One of cinema's earliest music videos gives Thriller a run for its money. Cab Calloway and his Cotton Club Orchestra bring the music - and even feature in their own live-action concert-film intro - while Betty Boop and the dog Bimbo bring the crazy, and then there's a dancing walrus,  electric-chairs, skeletons and witches to bring the utterly f$%^ed up.


The 1930s saw the early rise of Walt Disney, but his biggest rival was the mighty Fleischer Studios. They used a technique called 'rotoscoping' - filming someone, and then tracing over that footage - to create some of the most stunning animated footage ever painted. Fleischer Studios were ahead of their time with Minnie the Moocher; it's 8-minutes of inspired lunacy. Those who attend this screening, and then follow it up with The Forbidden Zone later in the evening, will find the double-feature quite rewarding too... 


If you're super keen, you can check out a clip of Cab Calloway singing the haunting song the film's based on:

1920s - Silent Comedy - The Goat

9am - 1920s - The Goat - dir. Buster Keaton & Malcom St. Clair - Starring: Buster Keaton, Virginia Fox

Depending on who you talk to, Buster Keaton is either the second-funniest silent-film actor... or he's the funniest actor of all time. Safe to say then, this 1920s vehicle for Keaton is going to start Movie-Fest 10 with a bang! The Goat is what cinema-goers in the 1920s dubbed a "two-reeler"; literally a film that is as long as two reels of celluloid. It tells a simple story of mistaken-identity, probably as a way to justify 20 minutes of chase gags.


And what gags they are! The Goat features train-top scrambles, operating table mishaps, leaps from tall buildings... it's everything you can ask for from a top-notch comedy! And, more importantly, it's the perfect way to start Movie-Fest 10. Here's a collection of Buster Keaton's career for you to check out:

What, When, Who... Why?

When is Movie-Fest?

September 15th, from around 9am until around 11:30pm

What is this festival of movies?

An annual movie-watching marathon, to celebrate Daniel McClelland's birthday. This year, we'll be screening 10 films, over around 14 hours or so. You can choose to come to one film, a few, or the whole lot (if you're particularly brave). The way you attend Movie-Fest is entirely up to you! Come see whatever tickles your fancy, or whenever your schedule allows.

The list of films will be announced soon, so be sure to check back here for further details.

Why is this year special?

Movie-Fest has been running for 10 years now! We've screened 100+ films over the years, to 100+ people, and we're going to make sure that this is one helluva 10th Anniversary for the Movie-Fest event.

What films will be screening?

This year, we're screening 10 films, from 10 decades. The full list of titles will be available soon. The first film will be from the 1920s, the next will be from the '30s, and so on until we get to the 2010s. While the schedule hasn't been fully finalised, we can drop some hints... here's an idea of the genres we'll be watching:

  • 1920s - silent comedy
  • 1930s - animated musical
  • 1940s - romantic comedy
  • 1950s - surrealist romance
  • 1960s - time-travel drama
  • 1970s - sci-fi parable
  • 1980s - cult film
  • 1990s - episodic comedy
  • 2000s - martial arts
  • 2010s - a film about 'the end'

Wait, will these films be any good?

Yes. Very yes. Check out what critics have to say about some of the films below: