Movie-Fest Schedule & Trailers



Movie-Fest 10: 10 Films, 10 Decades

Schedule
9am
9:30am
9:40am
11am
12:35pm
1pm
1:30pm
3pm
4:30pm
5:45pm
6:30pm
9:30pm
11:10pm
Films (click the links for more info + trailer)
The Goat - dir. Buster Keaton - Starring: Buster Keaton
Minnie The Moocher - dir. Dave Fleischer - Starring: Betty Boop
I Married A Witch - dir. René Clair  - Starring: Veronica Lake
La Ronde - dir. Max Ophuls - Starring: Anton Walbrook
Lunch
La Jetée - dir. Chris Marker - Starring: Hélène Chatelain
Fantastic Planet - dir. René Laloux - Starring: Blue Aliens
Forbidden Zone - dir. Richard Elfman - Starring: Susan Tyrrell
Following - dir. Christopher Nolan - Starring: Jeremy Theobald
Dinner
The Matrix Re-Edited - Re-edited by Daniel McClelland
Toy Story 3 - dir. Lee Unkrich - Starring: Tom Hanks
The End
Starting in:

And for your viewing pleasure, here is a collection of trailers and clips for everything that's showing in Movie-Fest. Alternatively, go to this YouTube page here to watch them from end-to-end.

Movie-Fest's Competition #2


Movie-Fest 10's second competition is a fun one. It's based around Rotten Tomatoes and will require analysis of the links below. The first person (who's not already won the previous competition!) to answer all of the questions below correctly will win a $20 iTunes voucher. This will be presentable upon attendance at Movie-Fest 10, so please only enter if you plan on coming! Submit your entries via email to 'daniel underscore mcclelland at hotmail dot com'.

The Links:
The Questions:
  1. Which film is the only "Rotten" film of Movie-Fest?
  2. How many films are ranked over 85% on RT?
  3. What trend do you notice in the scores of the films from the 50s onwards to the 2000s?
  4. Which film has had the most reviews counted?
  5. Which film has the fewest reviews?
  6. Qualitative Question! In your opinion - which film has the largest discrepancy between 'fresh' reviews and 'rotten' ones?
  7. According to Rotten Tomatoes' suggestion side-bar (right-hand side)... which film is "like La Jetée"?
  8. What quote is suggested to be memorable from Forbidden Zone?

Competition for Movie-Fest 10


The above collage shows the poster of every film that will screen during Movie-Fest 10: 10 Films From 10 Decades. The first person to answer all of the questions below correctly will win a $30 JB Hi-Fi voucher. This will be presentable upon attendance at Movie-Fest 10, so please only enter if you plan on coming! Submit your entries via email to 'daniel underscore mcclelland at hotmail dot com'. And, yes, most of the answers can be found using either Google or some sleuth-work on this here website!
  1. What's the shortest film at Movie-Fest 10?
  2. What's the longest film?
  3. How many films in Movie-Fest 10 are fully animated?
  4. How many are black and white (yes, this is a trick question)?
  5. The director of one of the above films also released the second-most popular film of this year. What's his / her name, and what's their 2012 film called?
  6. Which of the above films influenced the plots of 12 Monkeys and The Terminator?
  7. How many of Movie-Fest's films are in French?
  8. Which of the films is famous for being the "Citizen Kane of underground movies"?
  9. Who features in the soundtrack for Minnie The Moocher?
  10. Three of the above films were created by three pairs of brothers... which were they?

2010s - The End - Toy Story 3


9:30pm - 2010s - Toy Story 3 - dir. Lee Unkrich - Starring the voices of: Tom Hanks, Tim Allen, Joan Allen 

As the poster above says, "the best reviewed film of 2010", indeed "the most successful animated film in history". Toy Story 3 was nominated for 5 Academy Awards (including Best Picture) and won 2. It is widely regarded as the best 'threequel' of all time. It's the 48th best film of all time according to IMDb's Top 200 list, and - aside from films by Christopher Nolan - it's the highest ranked film from this decade on that list too. So... why the hell have so few of my friends seen the damn thing yet?


Putting aside the accolades, the preconceptions and the hype... this is a film about 'the end'. Every shot, every scene and every plot point is about the acceptance that all things will, eventually, come to an end. Toys that were once popular will be shelved in attics. Kids grow up to be adults. Things change, and rarely does it seem like change comes easily. It's a weighty topic to base a film around, and it's probably why there will be tears. Grown men have cried at this film, and proudly admitted it. Toy Story 3 is a brave movie the likes of which we should be glad that Disney and Pixar are still making.

2000s - Sequels - The Matrix Re-Edited


6:15pm - 2000s - The Matrix Re-Edited - dir. The Wachowski's - Starring: Keanu Reeves, Carrie-Anne Moss, Laurence Fishburne... Edited by Daniel McClelland

Daniel McClelland has re-edited the Matrix sequels down from two films, into one film. He's re-edited their collective length from 4.5 hours down to... 3 hours. He's chopped out fights, entire characters, sub-plots, individual bullets, endless psycho-babble, and - most importantly - the cave-rave dance sequence. Movie-Fest 10 will unveil this work and, hopefully, you won't notice the edits. However, you will notice the overall effect of them on a series that was once regarded as bloated and overly complex. The Matrix Re-Edited will astound you with its scope, and its brevity.


Let's start with a history lesson: Warner Brothers' marketing machine declared 2003 "The Year of The Matrix." They gamely released two sequels (The Matrix Reloaded and The Matrix Revolutions) within six months of each other, and in the process made off with well over a billion dollars in cash worldwide. Public opinion on Reloaded was divided. Respected publications like Variety, The Washington Post and Empire Magazine gave glowing reviews, while others were quick to admonish its creators for spending on time with characters we didn't care about, talking in endless riddles and pseudo-scientific babble. Revolutions, on first watch at least, has less going on subtextually, and was regarded by most as a "so-so" effort at tying up the many loose ends introduced by its predecessors.


Over the years, public opinion went from 'mixed' to 'violently opposed to' and then back to an even shadier territory: 'forgotten'. So, why bring them back? Firstly, because sequels became a genre unto themselves in that decade, and the approach to them deserves to be examined as closely as a silent-comedy from the 1920s. Secondly, because The Wachowski's, unlike others from the era, embedded more thought and more complexity into their sequels. Thirdly, because the main reason people don't like the sequels is because of their perceived lack of clarity. The Matrix was marketed on the concept of a question: "What is the Matrix?" Its sequels were marketed on the idea that we were getting more of it, whatever it was. 


The Matrix Re-Edited hopes to bring you a definitive answer to the questions that should have been guiding the team making the sequels: what will Morpheus do now he's found The One and finished playing the John The Baptist role? What will Trinity do now that The One has developed a love for her that is more important than his job as humanity's saviour? How will Neo ever free the minds of the millions of people connected to The Matrix, and thus end its dictatorship over our lives? Here's a trailer that outlines the stakes:


1990s - The Director Rises - Following


4:30pm - 1990s - Following - dir. Christopher Nolan - Starring: Jeremy Theobald, Alex Haw, Lucy Russell

Christopher Nolan (and his screen-writing brother Jonathan, who helped out on this film) burst onto the world stage with the intricately plotted and staged Memento. A year or so earlier, a small film was released called Following. It, like many other films from the '90s, heralded the arrival of a bold new director, one who would create a brain-trust of friends and go on to revolutionise every genre they touched afterwards. You may know him better as the re-inventor of Batman, or as the creator of Inception, or as the director who coaxed David Bowie into one last big budget film role before retirement.


So, what's this early effort of his about then? It might be best if we leave it at this description: a blonde, a burglar, a blackmailer and a young aspiring writer... all interwoven in one of Nolan's customarily fiendishly complex narratives. Check out the trailer below for an idea on the film's tone:

1980s - Cult Film - Forbidden Zone

3pm - 1980s - Forbiden Zone - dir. Richard Elfman - Starring: Hervé Villechaize, Susan Tyrrell, Gisele Lindley

Forbidden Zone has never been released in New Zealand. There's a reason for this: it's terrible. Terribly brilliant. There are no words for a film that features - to quote the press release - "a bizarro world of frog butlers, topless princesses, machine-gun toting teachers, eccentric dwarves, their demonic wives, and the Devil himself."


Honestly, you've never seen anything like it. This was as much a reaction to '80s "cult films" as it is a group of brilliantly twisted individuals having fun being young and dumb, while on camera. This is low-budget indie film-making at its most ambitious. Animation is used as a substitute for photo-real effects, elaborate sets are made out of crumpled paper, and bad acting is replaced by good acting with cinema's worst, and best, copy and paste jobs ever. The music's by underground band Oingo Boingo, and the director's brother: Danny Elfman, who went on to score at least a dozen Tim Burton films, the Spider-Man movies and The Simpsons theme! To make the madness even better, we'll be watching the colourised version, which means that the black-and-white film has been hand-painted to have gloriously demented hues like the reds in the image above! If you have to see a so-bad-it's-good film this year... make sure its Forbidden Zone: